Brochu Walker Shirts: A Shopper's Guide

Brochu Walker Shirts: A Shopper's Guide

Brochu Walker is the Los Angeles label for shirts and dresses that look like they know where they are going. I like it for its quiet, lived-in sense of luxury, and this edit is where I would start.

From New York fashion to California ease

I am the kind of person who owns six white shirts and still believes the seventh will be the right one, so Brochu Walker had my attention quickly. Lisa Brochu and Lauren Walker started it in Los Angeles in 2008, after time working in New York fashion, and the label has a calm, unfussy point of view that I find very easy to trust.

 

The part of the story I like best is the handoff. Karine Dubner took over in 2013, having studied at the Sorbonne and begun her career at BCBG MAX AZRIA, and she did not treat the label as a blank page. She bought a knitwear business with a loyal following and grew it into a wider wardrobe, with European craft on one side and California ease on the other. Today she is its owner and creative director.

 

What comes out of that mix is clothes that are practical before they are grand: shirts in everything from voile to denim, with cashmere running through the collection. Dubner has said the gros-grain finish on the Everyday Shirt is a reason she still wears it herself, which is exactly the kind of small, specific detail I trust. Add a first Maison in Seoul, and a Los Angeles label clearly travels well.

Cha Joo Young in a relaxed denim shirt and ivory skirt against a light stone wall

Shirting with a little thought behind it

If I were building a shirt shelf from scratch, I would begin with the Jade Shirt and the Rhett Shirt, the plain anchors. The Kate Voile Shirt is the lighter, airier one, the Pia Denim Shirt brings some texture, and the Everyday Shirt is the one with the finish its owner loves most. The Morten Funnel Neck Cashmere Top is for the days a shirt is not warm enough.

 

Picture her leaving a morning meeting in the Jade Shirt with the sleeves pushed up, a straight trouser and small earrings. My tip: put the most tactile shirt with the quietest bottom half, so the fabric gets the attention. What I would skip: stacking two statement textures in one outfit.

Cha Joo Young in a black knit top with sheer sleeves beside a textured wall
Cha Joo Young in a cream knit top and ivory lace skirt in a neutral studio

Dresses made for the middle of the week

The Ophi Vee Cashmere Dress is the one I keep returning to. I would wear it with flat boots and a long coat on an ordinary city Tuesday instead of saving it for an occasion, which seems to be the whole attitude of this label.

 

The Antibes Dress and the Pia Dress are two more moods to try, and the Landon Dress rounds out the set. In my fashion dreams, she slips out of the office in the Ophi Vee and changes only her earrings before dinner. Before choosing, I would read the fabric and care notes, especially if you are weighing cashmere against something lighter.

Model in a sleeveless navy knit midi dress by a tall window

A quieter kind of confidence

What stays with me about Brochu Walker is how much Dubner cares about material, small finishing touches and ease of wear. The Everyday Shirt shows how one quiet detail can carry a whole idea, and the cashmere and dresses carry the same restraint into the rest of the week. I want clothes that hold up to a workday and an unplanned dinner without asking to be saved. Although I will admit I would still buy a seventh white shirt.