Seventy + Mochi is a London denim label founded by Haya Iqbal Ahmed, named for her grandparents' shop on Mochi Lane. I like it for jeans that feel lived in and a family story that actually shows up in the clothes.

Seventy + Mochi Jeans: What I'd Actually Buy
The shop at No. 70
I have a weakness for a brand name that is also an address. Haya Iqbal Ahmed grew up around a denim business in Karachi, and Seventy + Mochi is named for her grandparents' shop at No. 70 on Mochi Lane, which opened in 1949. She studied business and fashion, brought that manufacturing know-how to London, and founded the label in 2020 as a women-led denim line.
What makes the history feel present is the clothes. Workwear and vintage references show up, updated with crafted details, and responsible materials are meant to stay within reach. The label's Consciously Kind page talks about recycled and organic cotton blends and low-impact washes. I read that as denim built for repeat wears, not one season.
I like that the story runs through a family factory, a clear shape of clothes and a real attempt to rethink how jeans are made. Mostly, I like that it never gets in the way of the jeans.

Jeans with room to move
Denim is the point of view here, and the range shifts by shape and wash, not by costume. The Leo Straight Jeans are my clean starting point. The Cali Jeans in Rodeo Vintage feel more lived in, and the Two Tone Bay Wide Leg Jeans give a familiar leg a little contrast. The Blake Jeans, Bay Jeans and Bay Wide Leg Jeans cover the in-between days.
I would wear the straight cut with a tucked-in tee and put a shorter jacket over a wide leg. Picture her on a long Saturday walk in the Blake Wide Leg Jeans, sneakers and a slouchy button-up. The Bo Zip Wide Leg Jeans, Noah Wide Leg Jeans and Cross Over Lia Wide Leg Jeans are there for the day the first pair feels too sensible.
One thing worth a minute: hold the length against your usual shoe, especially in a wide leg.


Leo Straight Jeans
Seventy + Mochi

Blake Jeans
Seventy + Mochi

Bay Jeans
Seventy + Mochi

Cali Jeans
Seventy + Mochi

Blake Wide Leg Jeans
Seventy + Mochi

Bo Zip Wide Leg Jeans
Seventy + Mochi

Bay Wide Leg Jeans
Seventy + Mochi

Noah Wide Leg Jeans
Seventy + Mochi

Two Tone Bay Wide Leg Jeans
Seventy + Mochi

Cross Over Lia Wide Leg Jeans
Seventy + Mochi

Bay
Seventy + Mochi

Bay Jeans
Seventy + Mochi

Tops that make denim personal
The tops keep the collection in conversation with denim without turning every outfit into a uniform. The Lea Top in Ecru is a quiet base. The Mia Shirt in Idaho Vintage and the Ani Vest in Houndstooth Idaho bring texture and pattern, and the Aria Vest in Mellow Yellow shifts the palette entirely. The Mila Top sits somewhere in the middle.
Picture a woman heading to a late lunch in the Mia Shirt tucked into straight-leg jeans, sleeves rolled once, a slim belt. When a patterned vest or a strong yellow is doing the talking, I would keep the bottom half simple. What I would skip: matching a patterned vest to a patterned shirt, just because they came from the same shelf.

Layers and shorter hems
These are the small detours from the classic jean, with the same workwear streak in jackets and shorts. The Cali Capri changes the proportions of a familiar denim outfit. The Bonnie Trench gives the Bo Straight Leg a longer counterpoint, and the Ali Tab Short makes warm months feel like part of the denim story.
I also like the Turn Up Bo Wide Leg for its visible cuff, the Ani Jacket for a close layer, and the Kaia Blazer and Remi Sporty Short for when the day needs a different tone. In my fashion dreams, she wears the Cali Capri with a striped knit and a low sandal, then throws on the Bonnie Trench when the evening cools. My styling test is a shorter top layer over wide jeans, or a longer one over the capri.

Denim with a family memory
A denim label can talk about its making for a very long time and still forget to design something I want to wear. Seventy + Mochi remembers the clothes: relaxed jeans, tops with a little workwear history, and a line that moves between seasons without chasing an occasion. I keep thinking about how the family factory and Haya's own point of view meet in these everyday shapes. Start with a cut you reach for already, then let one unusual wash change the rhythm, although I would not blame you for buying two.





















