Choose a NARS foundation by finish, from a tinted moisturizer to light reflecting and natural matte longwear formulas. I also cover the two concealers for two kinds of day.
Twelve Lipsticks in 1994, Now a Complexion Cabinet: Choosing a NARS Foundation

In 1994, François Nars launched his brand at Barneys New York with twelve lipsticks, encouraged by Vogue's Polly Mellen. He was a makeup artist first, and his early reputation was for bold, slightly mischievous ideas, like the time he shaved the eyebrows of the model Kristen McMenamy. The skin came a little later, with NARSskin in 2002, and the brand now sits inside a larger beauty group. I mention the history because a good NARS foundation still feels like it was designed by someone who works on faces for a living: it is about how skin looks in movement, not how it looks in a swatch.
Start with finish, because that decides almost everything. Sheer Glow, launched in 2009 and a bestseller ever since, is the natural, luminous one. Natural Radiant Longwear is its slightly fuller sibling, while Natural Matte Longwear is the choice for a shinier T-zone or a warm event. Light Reflecting Foundation is the glow-leaning one, and the Cacao Peptides version is the medium-coverage option that is billed as skin improving.
Pure Radiant Tinted Moisturizer with SPF 30 is the easiest place to begin, and the one I would pick for a day when I do not want to feel any makeup at all. Check the shade in daylight, along the jaw and down the neck.

NARS foundations

Pure Radiant Tinted Moisturizer Broad Spectrum SPF 30
NARS

Light Reflecting Skin Improving Medium Coverage Foundation with Cacao Peptides
NARS

Light Reflecting Foundation
NARS

Natural Matte Longwear Foundation
NARS

Natural Radiant Longwear Foundation
NARS

Sheer Glow Foundation
NARS
Two concealers, two kinds of day
A foundation sets the mood, but the concealer makes the correction. I like to keep two, since the same face needs different things on different days, and NARS makes one for each temperament.
Radiant Creamy Concealer is the hydrating, medium-coverage one, and it is the one I would start with. It sits softly under the eyes, where skin moves the most, and it blends out with a fingertip in a few seconds. This is what I reach for on ordinary mornings, after foundation, when I want the color to look like skin rather than paint.
Soft Matte Complete is the fuller, longwear one, with hyaluronic acid in the formula, which is a helpful reminder that matte does not have to mean parched, and it is the one I choose when a tired eye area needs real coverage for a photo. It is better on spots, redness around the nose, and the small patches you want to hide for the length of a wedding. Use a tiny amount and pat it on with a flat brush or a clean fingertip instead of dragging it.
Apply concealer in a triangle beneath the eye instead of a straight line, and blend outward toward the temple. Wait thirty seconds before you go back in to touch anything, because the product needs a moment to settle and will often look better than you expect.
Setting it without stiffening it
Setting is where a lot of makeup goes wrong, usually because there is too much of it. The whole point of a light-reflecting powder is to leave the skin looking like skin, and this NARS range is built around that idea.
The Light Reflecting Pressed Setting Powder is the one for a bag, a small compact for the middle of the afternoon. The Loose Setting Powder is what I use at home, applied with a big soft brush and pressed only on the T-zone and under the eyes. Light Reflecting Undereye Brightener is the quiet trick of the lot, a light-catching touch for the eye area so it looks rested without extra coverage. And the Hydrating Makeup Setting Mist is the finishing step that takes the powdery look away.
What I would skip: dusting powder all over the face and then wondering why it looks flat. Also skip powdering right after a heavy layer of concealer without blending first, since the two will crease. Tap the excess off the brush before it touches your face, and mist once from an arm's length away, not straight into your eyes. If you tend to get shiny by midday, the pressed powder in a bag beats reapplying anything heavier. One light press with a sponge, and you are done. The brightener is also worth trying on its own on days when the rest of your face is bare, on the inner corners of the eyes and the tops of the cheekbones.
The order I use everything in
My order never changes. Tinted moisturizer or foundation goes on first, concealer next, and powder only where the shine actually shows up. The mist comes last, held at arm's length and blinked through.
If you are unsure which foundation to choose, buy the lightest coverage you would be happy in on a bad day, and add concealer for the rest. That leaves you free to change your mind. Test in daylight on the jaw and the neck, and wait ten minutes to see how it settles, since foundation always looks different once it has met your skin. A shade that seems right in the shop can turn orange or gray by the time you get home, so I never decide under store lighting.
At night, take everything off with a proper cleanser before bed, because a full base with powder on top can sit in pores overnight. If you use a longwear formula, use an oil or balm first to break it down, then wash. Give your skin the mornings it needs without makeup too, and let a tinted moisturizer do the lightest lifting on those days. If you want to keep browsing, I also put together NARS Powermatte Lipstick and NARS Orgasm Blush.














