Rei Kawakubo started Comme des Garçons in Tokyo in 1969 and did not soften it for Paris when she brought the label there in 1981, opening with asymmetrical, largely black clothes that unsettled critics. The same refusal to explain itself shows up here in ruffled georgette, appliqued tailoring and gathered satin.
Comme des Garçons

Ruffles Built For Tension
Comme des Garçons has never been interested in clothes that explain themselves right away. Rei Kawakubo started making her own clothes in Tokyo in 1969, after a stint as a freelance stylist, and turned the label into a company in 1973. She opened her first Tokyo boutique in 1975 and added a menswear line, Homme, in 1978, but the moment that mattered most came in 1981, when she brought the collection to Paris and showed asymmetrical, largely black garments that critics did not know what to do with.
That same refusal to soften shows up across this group. The Tiered ruffled georgette midi skirt stacks volume instead of settling into an easy silhouette, and the Floral-appliquéd twill jacket uses appliqué to unsettle a jacket shape that would otherwise read as ordinary tailoring. The Cropped ruffled satin slim-fit capri pants and the Crepe blazer round things out with the same slightly uncooperative attitude. Nothing here is trying to be simple.

Tiered ruffled georgette midi skirt
Comme des Garçons

Ruffled lace and silk-blend georgette top
Comme des Garçons

Georgette shirt
Comme des Garçons

Floral-appliquéd twill jacket
Comme des Garçons

Layered gathered georgette and organza midi skirt
Comme des Garçons

Gathered satin midi skirt
Comme des Garçons

Cropped ruffled satin slim-fit capri pants
Comme des Garçons

Crepe blazer
Comme des Garçons

Sheer layered ruffle mini dress
Comme des Garçons

2000s Comme des Garcons Black Guipure Lace Coat with Cut Outs
Comme des Garçons

COMME DES GARCONS wool navy grey deconstructed hybrid biker cropped cardigan S
Comme des Garçons

Upturned-toe leather derby shoes
Comme des Garçons
Give The Strange Piece Room
Comme des Garçons rewards patience more than it rewards an outfit that reads instantly. The ruffled and gathered pieces here look best against something plain, since two exaggerated shapes fighting for attention just tips into costume. I would start with the Georgette shirt or the Gathered satin midi skirt, both quieter versions of the same idea, before working up to the fully tiered pieces. Skip this label entirely if what you actually want is a piece that photographs well and disappears into a normal wardrobe, because that is not the assignment here. Kawakubo built her reputation on clothes that stay a little unresolved, and these hold onto that same tension decades later. Buy one piece, give it space, and let it stay strange.






