Entire Studios is the Los Angeles label two New Zealand stylists built around calm color and silhouettes with a point of view. I keep coming back to its tops and dresses, which let the shape do the talking.
Entire Studios Tops & Dresses: The Pieces Worth the Price
Two stylists and a puffer
I am usually suspicious of a label that starts with one jacket, and then Entire Studios made me change my mind. Sebastian Hunt and Dylan Richards Diaz grew up in New Zealand, met as teenagers, worked as stylists and then spent five years at Yeezy before starting the label in Los Angeles in 2020. Their first release was the PFD Puffer in three colorways, and the first 200 pieces were gone within ten minutes. I went deeper on a related idea in Mimchik Tops: Pieces Worth Their Price.
What I like is that it never turned into a logo story. The collection has since grown into workwear, dresses, bodysuits and tailoring, and all of it still looks like it came from one closet. The palette stays calm, the silhouettes refuse to disappear, and you can tell two people who think about proportion for a living are running the show.
My rule for wearing it is simple (and slightly bossy): pick one strong volume or one considered line, then let the rest of the outfit breathe.
Base layers with a point of view
I used to treat the layer closest to the body as an afterthought, and these pieces talk me out of it. The Crew Neck Bodysuit is a neat start under a coat, and the Drape Tank and Drape Top are softer, the kind of thing that stands alone with a clean trouser. The Fin Tube Top is the bolder one, the Standard Tee keeps everything grounded, and the Knit Crewneck and Rib Tank round out a very wearable set.
In my fashion dreams, she is wearing the Drape Tank with a straight skirt and an open shirt on a gallery afternoon, then swaps in the Fin Tube Top for dinner. My practical rule: keep one layer close to the body whenever the rest of the outfit has volume.
Dresses that hold their own
The dresses feel like the same shape study, only longer. The Encase Dress arrives in a vivid pansy color, while the Robe Dress in black is quieter and more spare. The Margin Tube Dress is the close-to-the-body one I would save for an evening plan.
The Mini Tie Dress and the Dalters Mini Dress keep things short, and I could see either with a flat shoe by day and a sharper heel after dark. Picture her arriving at dinner in the Robe Dress, a sculptural coat over it and one strong earring. What I would skip: a stack of necklaces at a clean neckline, so the dress keeps its own line.
Soft sets, sharp outer layers
This is where the label shows its relaxed side. The Heavy Hood and Standard Track Jacket are the easy layers, and the Juno Coat gives a look a more deliberate outline. The Standard Sweatpant and Straight Leg Sweatpant keep the matched-set idea going.
The Knit V-neck and Sheer Long Sleeve are quieter bases, and the Pony Short changes the proportions once the weather turns warm. I would put the Juno Coat over the Sheer Long Sleeve with a simple trouser, or keep the Standard Track Jacket with the Standard Sweatpant for a matched, off-duty look. What I would skip is wearing every oversized piece at once, because these silhouettes read best when one of them gets room to lead.
A wardrobe that keeps its shape
What keeps me interested is the discipline. Hunt and Richards Diaz began with a puffer that had a clear silhouette, then widened the offer without losing their focus on quality, function and access. I like clothes that are recognizable through cut and color rather than a logo, and that is the useful part here: a striking coat can sit next to a plain tee and the outfit still feels like you. I would start with one shape that changes how your familiar pieces look, then build from there. Although I suspect one will not be the number you end with. If you want to keep going, Aniye Records Tops: The Pieces Worth a Look is the one I would read next.
