THE GARMENT launched in Copenhagen in 2020, led by designer Charlotte Eskildsen, previously behind the Danish label Designers Remix, alongside stylist and Vogue Scandinavia editor Sophia Roe. The specific thing that makes the label what it is: a tight focus on knitwear and precise tailoring in natural and recycled fabrics, built around what the brand calls closet hero pieces rather than a full seasonal wardrobe.
THE GARMENT

Trousers and shorts
The trousers and shorts here show the tailoring background Eskildsen brought over from her years at Designers Remix, precise cuts built to be worn on repeat rather than treated as a single season's trend. That repeatability is the whole design brief behind the brand's closet hero language. It is a practical, wearable read on Scandinavian minimalism.
Skirts
Skirts continue the same restrained tailoring logic, favoring clean lines and natural or recycled fabrics over any single decorative signature. The label was built specifically around pieces meant to outlast a trend cycle, which shows in how little these skirts lean on embellishment. It is quiet design that is doing a lot of construction work underneath.
Tops and shirting
Tops and shirting are where the knitwear side of the label, one of its two stated specialties alongside tailoring, gets the most room to show its range. Eskildsen's background at Designers Remix gave her years of experience with exactly this kind of precise, considered basic before she co-founded THE GARMENT in 2020. The shapes here reward a closer look at the finishing.
Dresses
Dresses apply the brand's tailoring instincts to a single piece of clothing rather than separates, which is a smaller part of the assortment but a clear extension of the same philosophy. Sophia Roe's styling background likely shows here too, in how these pieces are cut to work across more than one occasion. They fit the closet hero idea without straining for it.
Knitwear
Knitwear is one of the two categories THE GARMENT names as its actual specialty, alongside tailoring, and this grid is the clearest evidence of that focus. The fabrics lean toward natural and recycled fibers, consistent with how the Copenhagen label has described its own production choices. It is a small, disciplined category rather than a sprawling one, by design.
More from the collection
The wider collection fills in around the two core categories, and it holds together because the label has kept its founding team small and its fabric choices consistent since the 2020 launch. Copenhagen Fashion Week has shown the brand's work, which lines up with how considered these pieces look next to each other. It rewards browsing the whole edit rather than hunting for one hero item.

Pisano Wide-Leg Trousers
THE GARMENT

Gilian Skirt-Overlay Organza Peplum Pants
THE GARMENT

Bazaar Wide-Leg Cotton Pants
THE GARMENT

Como Crochet Wool-Cashmere Mini Drawstring Skirt
THE GARMENT

Margo Leather Mini Skirt
THE GARMENT

Pisano Suiting Top
THE GARMENT

Gilian Semi-Sheer Balloon Top
THE GARMENT

Balmoral Herringbone Blazer
THE GARMENT
Our honest take
Our honest take is that THE GARMENT is exactly as narrow as it claims to be, built on knitwear and tailoring and not much beyond that, which is a strength more than a limitation here. Eskildsen's Designers Remix background gives the cutting a seriousness that newer Copenhagen labels sometimes skip. It is a label worth trusting specifically for the categories it says it is good at.


























